Ahmed Shawqi Poetry Essay

Evolution reflects the change of the primary characteristics that emerge as an implication of the encompassing environment (Rahman, 27). The historical concerns of the Arabs were portrayed as controversial and obscure. Evolution started a long time ago from writing scripture as well as stone inscriptions. Notably, both the Ahmed’s Shawqi’s poetry and Arabic calligraphy encountered moments of evolution during their undertaking. According to Al-Rifai, Nada, evolution is a concept that occurs over a period and gives rise to various aspects. Traditionally, the act of revolution contributes to change of culture and historical concerns. Concurrently, the paper the paper sheds light on the evolution of both Arabic calligraphy and Evolution of Ahmed’s Shawqi’s poetry.

History plays a significant role in the economic, political and social representation of the society. According to Blair, evolution covers written, and unwritten documentation of human encounters attributes in life. Development of Arabic calligraphy was embellished with ancient Arabic civilization and reflected every drama that aroused during the time. The Arabic epics illustrate and acknowledge the existence of historical traits (Larkin). Moustapha opined that the evolution of the calligraphy encountered various challenges and cannot be considered authentic. Various regions portrayed their understanding of the calligraphy and adopted the emerging changes in the field. The traditional calligraphy encountered translation as a result of integration between different cultural backgrounds. According to Rakhshandehnia (2019), their motivation to change comes from the desire for transformation and had a different perspective related to various objects. Even though traditional scenes and theme were highly recognized, Ahmed’s Shawqi’s revolutionized their country through introduction of poetry. His remarks anticipate changes which lead to evolution.

Shawqi’s poetry incorporated historical and dramatic facts which highlighted prosperity and upheaval (Bauer 557). As such, the composure was attractive and charming and thus, mixing elements of historical imaginations. Ahmed’s Shawqi’s poetry pioneered emergence of the modern literature in Egypt. His literature concentrated on the various moments, including Arabic tradition, poetic epics, and introduced nonfiction concepts. According to the research Evolution of Ahmed’s Shawqi’s poetry transpired to the generation of the dramatic movement which has an enormous impact on the cultural background of the Egyptians. Ahmed’s Shawqi’s poetry was recognized as the king of poetry during his time due to his significant contribution to the field of literature. Nonetheless, his progressive trends were hindered by the inculcation of the challenging factors such as the emergence of the risky environment which transpired to fleeing from the home country. Even though his exile stalled the evolution of poetry, he supported his country through the production of massive poetry verses. Attributively, Ahmed’s Shawqi’s poetry covered various topics including his experience while working in the court, his exile tenure as well as his return from exile. His poetry portrayed an element of sense alienation as well as nostalgia. His writings incorporate diverse writing styles which influence changes in the society. The changes lead to the emergence of association between historical and modern concern.

In conclusion, Shawqi’s poetry elucidated elements of diction, rhyme commands and themes which range from a personal understanding of plays of poetry. Indeed, Shawqi’s composure illustrated the ability to emanate historical concern of the ancient Arabic lifestyle. Inducing evolution was tailored to unsuccessful traditional adaption and generation of dramatic, poetic plays. The modification reflects the ability to elevate the writing style and sustain the plot of the poem. On the other hand, Arabic calligraphy tends to encounter massive transition in an episodic model.

Annotated bibliography
Al-Rifai, Nada Yousuf. “Ahmed Shawqi And Educational Poetic Stories On The Tongues Of The Animals.” Advances in Social Sciences Research Journal 4.11 (2017).
According to Al-Rifai (2017), the Arabic poetry has Egyptian roots. Ahmad Shawqi, a famed Egyptian poetry begun narrating poetic tales while he was a student t in France. They were essentially in the persuasion of his countrymen to abandon their segregate tendencies for the sake of humanity and the colonialism that had ravaged the better part of the world (Al-Rifai 21). Therefore, he was informative and educative. Nevertheless, his narrations are considered some of the most entertaining Arabic literature works.

Rahman, Mahbubur. “Drama in Arabic Literature: A Brief Study from Historical Perspectives.” International Research Journal of Interdisciplinary & Multidisciplinary Studies (IRJIMS) (2015): 29-33.
As per Chapter 3 of the book by Rahman, Ahmad Shawqi, he pioneer of the Egyptian literature industry, was integral in the formation of the Arabic poetry and other forms of literature. Credited with the Egyptian Literary movement, he was nicknamed Amis al-Sho’raaa, meaning the ‘prince of poets’ (Mahbubur 31). He depicted the reality of life in the villages through verse drama, a literary form that Arabic performers appreciated for a long time in the prehistoric era.

Blair, Sheila. Islamic calligraphy. Edinburgh University Press, 2006.
According to Blair, the Arabic language is one of the most ancient. Also, its close relation to the Muslim religion was essential in the evolution of the Islamic calligraphy. Calligraphy, in its definitive description as the writings, rhymed well with the documentation of the Quran (Sheila 12). Since the religion was to be understood by many, the evolution of the Arabic calligraphy was inevitable to widen the scope of the Muslim religion.

Moustapha, Hoda, and Ramesh Krishnamurti. “Arabic calligraphy: A computational exploration.” 3rd International Conference on Mathematics and Design. 2001.
As per Moustapha, Hoda and Ramesh, Arabic calligraphy is a combination of beauty and meaning. Therefore, the users in the form of art are enthusiastic about using it in other aspects of life. Thus, the technological innovations provided the computational capability of the users. The Interactive Calligraphy Exploration (ICE) is a factor of the industry of the users of the Arabic calligraphy (Moustapha, Hoda and Ramesh 23). The applications of symmetry and computing using the Arabic calligraphy are explained in the article.

Bauer, Thomas. “Arabic writing.” The world’s writing systems (1996): 559-564.
Bauer notes that there is apparent synonymy between the Muslim religion and the Arabic language. Therefore, the Arabs did not only contribute h religion to the world, but also a language with a comprehensive alphabet. Nobly, Arab is learnt and written in North African nations and the Middle East countries except Iran and Pakistan (Thomas 560). Nevertheless, the Arabian Calligraphy has evolved to cater for the needs of the two nations’ citizens such as the 28-letter alphabet. Thus, the evolution of the Arabic calligraphy is a factor of the attempt to adapt the language to some of the non-users in countries where the Muslim religion dominates.

Rakhshandehnia, Seyyedeh Akram, Hadi Shabani Chafjiri, and Seyyed Esmaeil Hosseini Ajdad Niaki. “Sociological Criticism of the Novel “Abdul Motajali’s Confessions” by Najibal-kilani.” The Social Sciences 11.9 (2016): 2018-2022.
The article refers to Ahmed Shawqi as the ‘prince of east and west’, ‘the poet of Islam’ and ‘Emir-al-Shoara’, terms that depict the affection and respect of the poet’s audience. He is famed for using the Quranic verses and poets to praise and dispraise some actions and traits. His appeal to the emotions and the spirits of the audience was legendary (Rakhshandehnia, Akram, Chafjiri and Niaki 2019). In fact, he is considered the pioneer of the generations of poets that followed that strived to appeal to the emotions to influence the society.

Alshahrani, Ali A. “Arabic Script and the Rise of Arabic Calligraphy.” Online Submission (2008).
The article’s author recognizes that the Arabic language as the principle Muslim Semitic language. The article states that the 28-letter alphabet was the only form of communication ijn he medieval Arab. However, the emergenc3 of the Arb calligraphers lead to the realization of the now principle form of Arb art (Ali 21). It was used to emancipate the pictures and portraits that symbolized the word of God. For years onwards, the Arabic calligraphy has been part of the modern Quran copies.

Larkin, Margaret. “Two examples of” Ritha”: a Comparison between Ahmad Shawqi and al-Mutanabbi.” Journal of Arabic Literature 16 (1985): 18.
Margaret compares the eras of two artists, talented in the same art. It considers that Ahmad Shawqi was the predecessor and motivational figure to Mutanabbi. The latter lived in the 19th century, while the earlier prevailed during the 17th and the 18th centuries (Margaret 18). The 19th century is known as the “neoclassical” for the Arab calligraphy. It is believed that the era formed the basis for the development that Mutanabbi and fellow artists built on. During the era of Ahmed Shawqi, the art of Arab poetry was not a profession, rather a free hobby. However, the invention of technology and the growth in the interest in the form of art ensures that Mutabanabbi had a career and exposure that eluded Ahmed.

Works Cited
Al-Rifai, Nada Yousuf. “Ahmed Shawqi And Educational Poetic Stories On The Tongues Of The Animals.” Advances in Social Sciences Research Journal 4.11 (2017).
Rahman, Mahbubur. “Drama in Arabic Literature: A Brief Study from Historical Perspectives.” International Research Journal of Interdisciplinary & Multidisciplinary Studies (IRJIMS) (2015): 29-33.
Blair, Sheila. Islamic calligraphy. Edinburgh University Press,, 2006.
Moustapha, Hoda, and Ramesh Krishnamurti. “Arabic calligraphy: A computational exploration.” 3rd International Conference on Mathematics and Design. 2001.
Bauer, Thomas. “Arabic writing.” The world’s writing systems (1996): 559-564.
Rakhshandehnia, Seyyedeh Akram, Hadi Shabani Chafjiri, and Seyyed Esmaeil Hosseini Ajdad Niaki. “Sociological Criticism of the Novel “Abdul Motajali’s Confessions” by Najibal-kilani.” The Social Sciences 11.9 (2016): 2018-2022.
Alshahrani, Ali A. “Arabic Script and the Rise of Arabic Calligraphy.” Online Submission (2008).
Larkin, Margaret. “Two examples of” Ritha”: a Comparison between Ahmad Shawqi and al-Mutanabbi.” Journal of Arabic Literature 16 (1985): 18.